The difference is that the connection between the top and bottom ports isn't terminated until you plug a patch cable into the bottom row. Half-normal mode is a lot like full-normal mode. In short, the advantage of a full-normal configuration is that you can create a default preamp-converter setup without the need to do any patching, and you won't need any more patch cables until you decide to add more gear to the signal chain. Now, take another patch cable and plug one end into the output of the compressor and the other end into the bottom-row port of the first channel. The other end of the cable needs to be plugged into the input of your compressor. If you want to run the microphone signal through a compressor before the signal is sent to the converter, you'll need to plug a patch cable into the top-row port of channel 1 to 'break' the connection between the top and the bottom port. So, in this example, the microphone signal that you send to the preamp goes directly to the converter. In the case of a full-normal patchbay, the top and bottom rows are connected until you plug in a cable. You connect the output of the preamp to the first channel on the top row of the patchbay and the input of the converter to channel 1 on the bottom-row port. Say you've got a microphone preamp and a converter. To ease life in the studio, patchbays can often be set to one of three different modes: full-normal, half-normal and non-normal. On either side, the upper row is made for linking up outputs while the lower row of ports can be connected to inputs. Patchbays come with two rows of ports on both the front and rear. That said, Bantam patchbays are generally a little more expensive. This means that Bantam/TT patchbays can be equipped with more ports - in some cases as many as 96. Also, note that Bantam plugs are a bit smaller than 6.3mm TRS jack plugs. While this is not a problem for line signals, it is for any phantom-powered microphone. Since the contacts of both TRS jack and Bantam plugs basically brush past the wrong pins when they're plugged in, it's best to use an XLR patchbay for microphones and microphone preamps. XLR vs TRS Jack vs TT/Bantam Studio Patchbays Patchbays provide you with a clear overview of the inputs and outputs of your gear, which can then be easily hooked up using short little patch cables. You also can review shipping details within an item’s “Shop Policies” section.If you have a considerable collection of hardware and want the option to quickly create signal chains, then it's time to get a patchbay. To exclusively browse for patchbays near you, reference the list of top cities and countries available on Reverb to search within a desired location. The whole point (no pun intended) is to streamline your workflow, so they're conceived with signal flow as priority: outputs on top, inputs on the bottom.
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